Sophie is recognized as a leading expert in international, UK, French, and EU copyright law, advising global clients on strategic, high-value, and novel issues at the forefront of technology and innovation.

Acclaimed for her deep expertise in EU copyright law, AI, and the liability of online intermediaries, Sophie also advises clients on complex content acquisition strategies, including music licensing and other entertainment industry matters that require a nuanced understanding of the European cultural landscape. She advises some of the biggest names in social media, audio, TV, VOD, music, books, UGC, and videogame content on new product features, safe harbor rules, copyright claims, content acquisition strategies, and online regulations.

A regular visitor in Brussels where she grew up, she is well attuned to the complex legislative, political, and regulatory environment for the copyright sector at the international, EU, and Member State levels and often advises legal and policy teams on media and copyright developments, including EU law transposition decisions, in Paris and Brussels. Her expertise includes in particular:

  • Copyright, AI, and data mining issues
  • EU constitutional law
  • Internet safe harbor rules and platform liability, the Digital Services Act
  • Articles 15 and 17 of the Copyright Directive
  • The EU AI Act
  • EU audiovisual media services
  • Sat Cab I and II Directives
  • Multi-territorial music licensing and collecting societies
  • Content-based transactions and acquisitions (content licensing, production, development, brand partnerships, endorsements)  
  • IT and software law
  • Smart and connected devices
  • The intersection of copyright and competition law
  • Data Act and Data Governance Act
  • Net neutrality

As a thought leader, she chaired the European Commission’s working group that led to the Music Moves Europe program. She is a member of the British Literary & Artistic Copyright Association, spoke about AI at ALAI’s last edition in Paris, and taught a course on European and International copyright law at her alma mater, the Faculté Jean Monnet in Paris.

Sophie’s experience includes:

Product Counselling

  • Advising a household name in technology on its development of synthetic voices from a copyright and “personality right” perspective*
  • Advising leading technology providers on the risks stemming from using copyright protected content in developing AI systems*
  • Advising social media platforms on safe harbor protections, content moderation including reporting mechanisms, take-downs features, appeals, and best practices*
  • Advising a podcast company operating across the EU on risks stemming from using RSS feeds following the Tuneln decision*
  • Preparing advice about the copyright status of hyperlinks under EU law*
  • Advising on licensing strategies under Sat/Cab II in the online television landscape and comparing CMO tariffs for TV and VOD*
  • Advising global film and music production companies on their use of AIs, including risks stemming from their compliance with the EU AI ACT*
  • Advising a satellite company on the launch of several products using satellite imagery*
  • Advising social media companies and game companies on chat features and private messaging functionalities*
  • Advising fitness companies on their use of music and music licensing strategies*
  • Advising on parental control features*

Regulatory

  • Drafting an analysis of the “opt-out” right enshrined in Article 4 of the Copyright Directive, including practical guidance on assessing the validity of opt-outs for global content services*
  • Advising podcast and spoken audio businesses on EU copyright, protectability of phonograms, trade unions, collective bargaining agreements, and the role of CMOs*
  • Advising MMO game on its use of AI and compliance with the EU AI ACT*
  • Drafting a comprehensive study on the regulation of CMOs in Europe, including from a competition law perspective for a global media service*
  • Advising an online platform throughout their entire compliance review on Article 17 of the EU Copyright Directive, post adoption of the text*
  • Drafting strategic note on the applicability of Article 17 to certain categories of online services.*
  • Preparing comprehensive DSA assessment for a global Adtech company*
  • Advising an MMO games platform on DSA applicability and compliance*
  • Drafting comprehensive analysis and strategic note on the transposition of Article 15 of the Copyright Directive across Europe, including in France, for online media companies*
  • Drafting a comprehensive assessment of the “making available right,” its implementation in EU law, and its impact on music licensing strategies*
  • Drafting a multi-jurisdictional comparative study on the concept of “Equitable remuneration,” the payment of the same, and the obligations stemming therefrom, across seven EU jurisdictions*
  • Advising social media companies on advertising laws and regulations*
  • Advising a leading device manufacturer on the transposition of the audiovisual media service directive, including in France, advising on French rules on “prominence”*

Litigation

  • Representing a music streaming service in a widely publicized dispute with a record company during negotiations for a music license renewal (2011)*
  • Representing a music distribution company in the context of a high-stake copyright infringement claim*
  • Preparing a comparative analysis of French and UK procedural laws and remedies for copyright infringement for a global music service*
  • Preparing advice on challenging the tariffs of CMOs*
  • Drafting pre-litigation assessment memo about the risks of infringing copyright in an image in France with a focus on procedural issues*
  • Drafting advice on litigation risks stemming from exploiting unlicensed music catalogues*
  • Preparing impact assessments for various music businesses following the Atresmedia CJEU decision*

Transactional

  • Advising online media services in respect of their press publication licensing strategies*
  • Advising content production companies in film, TV, and games on buy-outs, work-made-for-hire, and hiring talent in Europe*
  • Advising licensees on avenues and strategies for negotiating or challenging CMO tariffs in Europe*
  • Negotiating talent and brand ambassador agreements for the 2022 FIFA World Cup*
  • Negotiating music soundtrack rights for the 2022 FIFA World Cup*
  • Emergency music clearance for in-game radio feature*
  • Drafting note on music acquisition strategies for games companies*

Policy

  • Advising on options to respond to UK IPO consultation on AI and Copyright*
  • Advising policy team on AI Code of practice*
  • Preparing a comprehensive legal impact assessment for the EU Commission on the proposed introduction of an EU “fair remuneration” (2018) right for a major VOD platform*
  • Drafting position papers, policy documents, and amendments for the policy team of a global online platform during the adoption process of the Copyright Directive 2019/790*
  • Advising a trade body representing digital music services in France (ESML) in all their dealings with other institutional bodies and governments*

*Matter handled prior to joining Latham

Bar Qualification

  • Avocat (Paris)
  • England and Wales (Solicitor)

Education

  • Master 2, University of Paris XI (Sud), 2006
  • Master 1, Paris II Assas University (Paris - France), 2005
  • BA, Université de Bordeaux, 2004