Gabe Fleet advises clients on their highest stakes matters within the music, entertainment, digital media, and technology industries.

Gabe leverages more than two decades of music, technology, and entertainment industry experience, including as a senior executive for a leading entertainment and media company, to help the most innovative companies in the world solve their hardest content and entertainment-related problems.

Some representative clients include:

  • Black Forest Labs
  • Character.AI
  • eMastered
  • HeyGen
  • HoYoVerse
  • iHeartMedia
  • Live Nation
  • National Association of Broadcasters
  • OpenAI
  • Pandora
  • Perplexity AI
  • Rockbot
  • Snap 
  • SoundCloud
  • Splice
  • Suno
  • TouchTunes
  • TuneIn
  • Udio
  • Many more of the world’s largest and most well-known technology companies

Gabe represents technology companies, media companies, brand owners, buyers and sellers of music and entertainment-related assets, and other sophisticated enterprises in connection with:

  • Licensing transactions with music copyright holders and other content owners
  • Strategic counseling to technology, digital media, and entertainment companies including on legal risk analysis and mitigation measures, business model and deal structuring, rights clearance and content acquisition strategy, and industry relations
  • Negotiating settlements and other resolutions to high-stakes copyright and royalty disputes
  • Music, entertainment and copyright aspects of mergers, acquisitions, joint ventures, investments, and financing transactions
  • Strategic partnerships and other complex commercial transactions in the music, entertainment, digital media, and technology industries
  • Branded entertainment and original content development, production, and distribution
  • Personal service contracts and brand ambassador, sponsorship, and endorsement agreements

Before joining Latham, Gabe was EVP of Business Affairs and Chief Music Licensing Counsel at iHeartMedia, where he managed the company’s business affairs team and led music licensing strategy, and also helped spearhead many of the company’s innovation initiatives.

Prior to that role, Gabe was a partner in the entertainment and media group at another major international law firm. Gabe also worked as an artist manager and professional drummer prior to law school.

Gabe is also an adjunct professor at Fordham University School of Law, where he teaches an Entertainment Content Licensing seminar.

Since 2021, Gabe has been consistently recognized by Billboard as one of the top lawyers in the music industry.

Gabe's experience includes the following:

Content Licensing

  • Negotiating complex agreements for dozens of companies (from Fortune 500 public companies to cutting-edge, early-stage start-ups) adverse to record labels, music publishers, performing rights organizations (ASCAP, BMI, SESAC, GMR, etc.), motion picture studios, television content owners, video/image libraries, news/print/online publishers and other copyright owners regarding the use of music, video, and other content in a wide array of products and services

Generative AI

  • Representing numerous industry-leading generative AI companies on a wide range of legal and strategic counseling matters and transactional matters. Some specific matters include:
    • Representing OpenAI in transactional and strategic counseling matters related to the launch of voice capabilities for its ChatGPT artificial intelligence product
    • Representing Perplexity AI in the negotiation of a wide range of commercial partnership agreements with various content publishers throughout the world 
    • Representing Suno in the negotiation of a commercial partnership between Suno and music producer / artist Timbaland, leading to the execution of a first-of-its-kind AI-powered remix campaign

Dispute Resolution

  • Representing a broad array of companies (both inside and outside the entertainment and tech industries) in negotiating settlements and other amicable resolutions to various copyright-related disputes, both before and after the filing of litigation. Some specific matters include:
    • Representing the commercial radio industry (through the National Association of Broadcasters) in the negotiation of a pre-trial settlement to the Web VI Copyright Royalty Board music royalty rate-setting proceeding (which set the sound recording royalty rates to be paid by radio webcasters for the period 2026-2030)
    • Representing brand owners in the negotiation of confidential pre-litigation settlements of infringement claims from music copyright owners pertaining to the use of music in social media videos

Industry-Specialist Transaction Support

  • Representing buyers, sellers, investors, and financing sources in acquisitions and financing transactions for music catalogs and other entertainment and copyright assets, including navigating the complex and esoteric legal and business issues unique to the music and entertainment industries. Some specific matters include:
    • Representing H.I.G. Capital in its acquisition of RBMedia, one of the leading audiobook publishers in the world
    • Representing a confidential strategic acquiror in the purchase of its JV partners' music publishing royalty revenue streams

Music/Entertainment/Media Commercial Transactions

  • Representing media platforms and content studios in commercial transactions for the development, production, and distribution of podcasts, feature films, TV series, concert specials, and documentaries. This includes extensive experience in matters specific to the music aspects of television and film content including for the original content studios of several of the world’s largest streaming providers
  • Negotiating sponsorship and endorsement agreements, co-marketing agreements, and other commercial transactions between and among brand owners, copyright owners, and celebrities
  • Representing brand owners and media companies in connection with the creation and exploitation of branded content and the entertainment-related aspects of advertising, marketing, and promotional campaigns. Specific matters include numerous projects that have won ADDY, CLIO, Cannes Lions, GRAMMY, and EMMY awards, multiple Super Bowl ads, and dozens of campaigns for some of the world’s most significant brands

Bar Qualification

  • Alabama
  • Georgia
  • New York

Education

  • JD, Vanderbilt University Law School, 2008
    Order of the Coif
  • BA, University of Georgia, 2002
    magna cum laude